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Naked in New York: The Unceremonious Stripping of Our Saviour

There’s a very peculiar thing happening at The Church of Our Savior in Midtown Manhattan. Beautiful sacred art — icons commissioned in 2004 by Fr. George Rutler, the parish’s erudite and well-loved former pastor — have been disappearing from the columns surrounding the sanctuary – quite literally under the cover of night. This clandestine desecration of the holy of holies —…

Book Review: The Noonday Devil

There are times where an important spiritual concept is lost in the marketplace of religious ideas, subdued and modified by pop psychologists and religionists seeking simple solutions rather than lasting challenges. The concept of “acedia,” if mentioned at all, is often grouped with negative emotions, depressive states, and feelings of underachievement. Jean-Charles Nault’s (O.S.B.) The…

Chaput, Romeri and the Battle Over Music in Philadelphia

Most Catholics in our world seem to take a flippant attitude towards liturgical music. It is all-too-frequently deemed something suitable for competent amateurs, of lesser concern and of secondary importance – until, of course, it isn’t. The news this week of the unexpected and noteworthy resignation of Johh Romeri as head of Liturgical Music in…

On the Catholic Art of the Printed Book – Part III: Parisian Books of Hours

This is the third installment of a multi-part series. You may find each part here:  Part I – Part II – Part III A Book of Hours was the essential guide to devotion for a literate Catholic layman of the late Middle Ages, from the late 14th century to the early 16th. Its content was essentially liturgical, but selected with…

“There is So much God Wants to Say to this Generation” – An Interview with Michael Chang

By now you’ve probably seen the video. Simple text overlaid on sweeping and beautiful natural vistas set to a serene — but determined — instrumental soundtrack. Subtle stylistic choices: the use of lens flare, vintage film effects, and mirroring; the use of just enough motion graphics to make a point without being distracting. Beneath it all,…

On the Catholic Art of the Printed Book, Part II: Block Books

This is the second installment of a multi-part series. You may find each part here:  Part I – Part II – Part III The printing press reduced the cost of book production in late medieval Europe enormously. But printed books did not altogether replace illuminated manuscripts, at least not in the years before the rise of Protestantism. To judge by…

On the Catholic Art of the Printed Book, Part I: Origins

This is the first installment of a multi-part series. You may find each part here:  Part I – Part II – Part III The Cathedral at Aachen is home to one of Christendom’s most impressive treasuries of relics, including four of particular distinction that were gifted to Charlemagne by the Patriarch of Jerusalem in 799: the dress worn by the…

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