Pope’s “Mouthpiece” Spadaro Used Fake Sock-Puppet Account to Attack Four Cardinals

Almost two weeks ago I reported on the bizarre social media behavior of Antonio Spadaro, the Pope’s “mouthpiece” and editor of the influential Jesuit journal La Civiltà Cattolica. He had used Twitter in various ways to attack the “four cardinals” who had submitted the “dubia” to Pope Francis. This included using screenshots of the movie trilogy Lord of the Rings to equate the Pope’s opponents with grotesque fictional villains.

spadaro-and-pope

Spadaro appeared to be conflicted about the appropriateness of his actions. He alternated between acting like a man with something to hide and flaunting his prowess at trolling. He deleted one tweet, which appeared to equate Cardinal Burke with a “witless worm,” then put it back up with a jokey comment and additional jabs against his critics.

witless-worm

wired-hermeneutic

A small group of Catholic Twitter users and bloggers began to follow and report on Spadero’s actions. My posts of a few weeks ago were one part of that.

Since then, virtually all of us have been blocked by Spadaro on Twitter.

blocked

A few days after the “witless worm” post/deletion/repost, Spadaro made another juvenile pop culture attack on cardinal Burke et al.but this time it was in the form of a retweet:

the-four-cardinals

In conformity with his past pattern, this tweet was also soon deleted.

Who was Habla Francisco? The name can be translated as “The Pope speaks” or “So says the Pope.” The account holder’s Twitter page showed that “Habla Francisco” had joined Twitter in September 2013 but had only made 3 tweets, all of which were retweeted by Spadaro. (They have all now since been deleted). “Habla Francisco” supposedly had 18 Followers but the account was “protected” such that no other information was publicly available.

habla

You can guess where this is headed.

A few days ago, one of the Spadaro sleuths discovered that “Habla Francisco”‘s account could be traced to Spadaro’s own email address at La Civiltà Cattolica.

habla-discovery

 

I cut off the identity of the person who posted the above, but this tweet and other similar communications were publicly shared on Twitter. The information revealed at the bottom was confirmed by multiple sources.

That’s right, Antonio Spadaro, the editor of La Civiltà Catholica and one of the Pope’s main point men in promoting Amoris Laetitia had been “retweeting” his own tweets from a sock-puppet Twitter account. These fake retweets were used to defend an Apostolic Letter and attack four cardinals of the Catholic Church.

Yesterday, Chris Ferrara claimed, only half-humorously, that the Pope’s men were acting like Mafiosi.

I agree, but they’re also acting like teenage girls.

Interestingly, Spadaro had previously styled himself as a sort of expert on the internet and social media. A few years ago he authoredCybertheology: Thinking Christianity in the Age of the Internet. The cover shows God jump starting an internet connection or linking social media users or something:

cybertheology

The book has two brief positive reviews. I wonder who wrote them?

According to the Amazon blurb:

The author suggests that since the Internet has changed, and is changing, the ways in which we think and act, it must also be changing the ways in which we think (of) Christianity and its theology.

God help us.

The content, as might be expected from a contemporary Jesuit “theologian,” is one part quasi-Marxist, one part quasi-new age and one large part not-so-quasi pop culture riff:

Spadaro also considers the hacker ethic in relation to Cybertheology.

Perhaps Spadaro should have considered creating a sock-puppet that wasn’t so obviously linked to his professional email address.

There’s actually more to this story. But for now at least I’m going to be cryptic about it. Suffice it to say (and I’m not joking around or trying to be overly dramatic here) if you try to go to the Mahound’s Paradise Twitter page and find that it no longer exists, know that I wasn’t the one who deleted it.

This post was originally published at Mahound’s Paradise.

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