Massimo Scapin, Italian conductor of both opera and the symphonic repertoire, composer, and pianist, holds degrees in piano and choral conducting from the State Conservatory of Music in Perugia, in orchestral conducting and composition from the National College of Music in London, and in religious science (magna cum laude) from the Pontifical Lateran University. Massimo appeared as guest conductor and pianist in Europe, Japan, Kazakhstan, Korea, and the United States. He was also a Vatican Radio commentator and entertainer. He currently serves as director of music for the Diocese of Charleston, South Carolina.
Author: Massimo Scapin
Saints in Art: Teenage Nicholas Sings Repentance
This year — traditionally, he was born on March 15, 270 — marks the 1,750th anniversary of the birth of the bishop of Myra in modern-day Turkey, whose relics have been resting in Bari since 1087, equally venerated for his …
Leo XIII, Lover and Reformer of Liturgical Music
Two hundred and ten years ago, on March 2, 1810, Vincenzo Gioacchino Pecci, who would remain in the memory of the Church as the great pope of the “social question,” was born in Carpineto Romano, south of Rome — Leo …
Satan in Music: Tartini and the Devil’s Trill
Two hundred fifty years ago, on February 26, 1770, “following a gangrene that developed in one foot,” the one who at the end of his career was called the “first violin-player in Europe” and “master of the nations” died in …
Mozart’s Penitent David and Today’s Lack of Sorrow for Sin
If he lived today, would Mozart have composed a cantata like Davide penitente (The Penitent David), K. 469? Performed successfully for the first time on March 13, 1785 in Vienna’s Burgtheater, it was soon forgotten. Wolfgang Amadeus Mozart (1756–1791) was …
Busoni’s Opera: Catholics Could Use More Dispute
A theological dispute between Catholic and Protestant students in a tavern in Wittenberg? It happens in the second scene of the German opera Doktor Faust by Ferruccio Busoni (1866–1924), complex figure of German-Italian musician, pianist, composer, and writer, “the most …
The German ‘Synodal Path’ and the Road to Emmaus
On January 30, with the first assembly in Frankfurt, the “Synodal Path” of the German Catholic Church reform begins — a “journey” without the observance of canonical regulations that a real synod would require. During the next two years, the …
The Magi Visit the Christ Child in Art and Music
In this Christmas season we are invited to worship the Divine Word, the invisible Second Person of the Holy Trinity, who is made visible. “He has come to lift up all things to himself, to restore unity to creation” (Preface …
Lauda: A Musical Meditation on the Nativity
In these times of “politically correct” religious and moral bewilderment, in which Christmas carols are purged of Christian references, when they are not replaced with other songs, times in which Nativity scenes are rejected in the name of a misunderstood …
‘Tota Pulchra Es’: A Lutheran Honors the Immaculate
“Tota pulchra es, Maria” is the cry of the Solemnity of the Immaculate Conception of the Blessed Virgin Mary — a cry that rises towards the All Beautiful One, in which the splendor of God’s glory shines. They are words …
The Poor Turkeys of Baone! Killed by Bad Music!
In the United States, the annual Thanksgiving day, celebrated on the fourth Thursday in November to thank God for the fields’ good harvest, is one of the most popular national holidays since 1620, when the “Pilgrim Fathers” landed at Plymouth …