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Liturgy

Bishop Schneider to Traditionalists: “You are the Real Ecclesiastical Periphery, Which With God’s Power Renews the Church.”

The Spanish-Language website, Adelante La Fe (Advance the Faith) obtained an exclusive interview with Bishop Athanasius Schneider, our favorite Catholic prelate in the world today, and a once (and hopefully future!) contributor to this website. The interview covers some extremely heady subjects. Among these: The serious diminution of faith in the Real Presence of Christ in…

Chaput, Romeri and the Battle Over Music in Philadelphia

Most Catholics in our world seem to take a flippant attitude towards liturgical music. It is all-too-frequently deemed something suitable for competent amateurs, of lesser concern and of secondary importance – until, of course, it isn’t. The news this week of the unexpected and noteworthy resignation of Johh Romeri as head of Liturgical Music in…

Turning “Together Toward the Lord”: Why My Parish is Facing “East” Together at Mass this Lent

The  futile closed circle of therapeutic navel-gazing hangs on like an overused joke in a few places still, one of them being the Church. The priest and people facing each other during the entire liturgy is a vestige of the illegitimate seizure and subjection of 2,000-year-old liturgical development by primitivist vandals in the post-Vatican period.…

Learning the Priesthood: The Role of Altar Service in Vocational Discernment

On March 15, 1994, a virtual tsunami struck the Liturgy of the Latin Rite of the Catholic Church. Cardinal Antonio Ortas wrote a document to the Episcopal conferences announcing that the Vatican had, for the first time, permitted altar girls. Over 20 years later, many question the impact of this decision as the Church continues to reap…

Armor and Armament Abandoned: Priestly Prayers Purged (Part I – Júdica Me)

A critique of the 1965 Order of Mass, in three parts A recent online discussion of more reverent Catholic liturgy has revived consideration of the 1965 “transitional” Roman Missal and its similarities with the 1962 Roman Missal (called the Vetus Ordo, the Extraordinary Form of the Roman Rite, or the Traditional Latin Mass). As a…

Liturgy, Adaptation, and the Need for Context

  Historically authentic productions of Shakespearean plays are occasionally in and out of fashion. Recently a movement championing “original pronunciation” purports to let us hear Shakespeare’s words precisely as they would have been spoken when the plays were originally written and performed. It is artistically irresponsible to mount a performance of a Shakespearean play —…

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