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tiepolo coronation

Giambattista Tiepolo: Painting the Virgin, Evoking Music

On the night between March 26 and 27, 250 years ago, the great painter, interpreter of the splendors of the Venetian aristocracy, died suddenly: Giambattista Tiepolo (1696–1770). While the Vatican Post Office celebrates him with a stamp, we approach the greatest artist of the eighteenth-century Venetian painting in our usual way: through passion for music.…

gorecki

Music for Catholics: Rediscovering Henryk Górecki

There is a select group of composers who seemed to anticipate and ultimately embody John Paul II’s Letter to Artists, somehow also achieving great international prominence and influence despite their industry’s general hostility to all things Christian. They prove that a vital Christian musical art was possible even in the age where most subscribed to…

not quo vadis

‘Quo Vadis, Domine?’: Where to Hear a New Catholic Cantata

Those looking for an incredible upcoming musical experience that is also safe and edifying for the entire family should look here. Now I give you the background story of how this vital collaboration came about. Conversations I have had in recent years with fellow artists and musicians have often come back to a single topic:…

king david harp

Mozart’s Penitent David and Today’s Lack of Sorrow for Sin

If he lived today, would Mozart have composed a cantata like Davide penitente (The Penitent David), K. 469? Performed successfully for the first time on March 13, 1785 in Vienna’s Burgtheater, it was soon forgotten. Wolfgang Amadeus Mozart (1756–1791) was asked by the Vienna Musicians’ Society (Wiener Tonkünstler-Societät), a pension fund founded in 1771 to…

goats dispute

Busoni’s Opera: Catholics Could Use More Dispute

A theological dispute between Catholic and Protestant students in a tavern in Wittenberg? It happens in the second scene of the German opera Doktor Faust by Ferruccio Busoni (1866–1924), complex figure of German-Italian musician, pianist, composer, and writer, “the most extraordinary performer that piano literature has had” (G. Cattaneo, Esperienze intellettuali del primo Novecento, Mondadori…

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